51С�Ƴ�

Current Installation

Soo Sunny Park
Boundary Conditions, 2014
plexiglass, stainless steel, paint, daylight

In her large-scale and immersive installations, Soo Sunny Park explores liminality and the transition between two seemingly opposing qualities: inside and outside, sculpture and drawing, objects and shadows. In the Cantor’s front window, Boundary Conditions emphasizes the space as housed interiorly but outward-facing, with abundant natural light.

A large sculpture made of steel and plexiglass strips hangs from the ceiling as the focal point of the work. Park works with utilitarian materials that create “boundaries” like fencing, plastic, and sheetrock. On the wall behind it, Park traces patterns of shadows that emerge as light interacts with the sculpture. For the duration of the display, the light shining in continues to interact with the sculpture as new, changing shadows are cast atop the drawings to activate the sculpture in a performative manner. Boundary Conditions questions our assumptions about light as immaterial and passive.

Previous Installations

Image courtesy of Matthew Gamber

Sneha Shrestha
Devi (Goddess), 2023
acrylic and latex on wall
15’ x 30’

The creation of this on-site mural was greatly influenced by its location. The large window it faces not only overlooks the 51С�Ƴ� campus, but also faces south, benefitting from both sun- and moonlight. Its semi-circular composition alludes to both celestial bodies, which play a profound role in Hindu and Buddhist traditions and Nepali culture. For example, they feature prominently on Nepal’s flag, with the moon representing peace, as well as the purity and spirit of the Nepali people; and the sun representing hard work and the Nepalis’ fierce resolve.

As the sun and the moon are part of both daily and religious rituals in Nepal, Shrestha likes to believe that this reverence demonstrates choosing to respect and embrace elements beyond our control rather than fighting or changing them. She likens her immigration journey to this approach; she embraced its challenges, respected its procedures, and made it a part of her daily ritual for years. The mural acknowledges this through its composition, consisting of a few of the names of immigration forms, written in Nepali, that Shrestha had to fill out.

Artist Justine Hill '08 standing in front of her painting The Travelers in her studio

Justine Hill
The Travelers
Acrylic, colored pencil, crayon and paper on canvas
2022

The Travelers was commissioned by the Cantor Art Gallery of Brooklyn-based artist Justine Hill. In this large-scale painting, the artist has covered shaped panels in canvas, and then layered them with paint, paper, pencil, appliques, and crayon; Hill’s compositions often utilize pattern, bright colors, and loose mark-making in complex and unique combinations. While her shapes allude to animal or human forms, they equally suggest landscape or place, and at times morph fluidly into pure symbol. For Hill, the forms are “both entire worlds and individuals, or perhaps entire worlds built by individuals all dressed up in beautiful decorative patterns.”��

Created specifically for the Cantor window, the Travelers plays with the ambiguity of place and person. The monumental scale heightens the work's ability to evoke place, while the animate forms reference the titular travelers. By conjuring a fantastic, distant world through the paired moons, Hill draws from her interest in science fiction and fantasy novels (including the work of Ursula le Guin, Octavia Butler and N.K. Jemisin), as well as the production of Philip Glass’s 1983 opera Akhnaten, about the life and religious convictions of the Egyptian Pharaoh. In Hill’s words: “These stories of power and hardship, in unknown or extinct worlds, often show the dangerous possibilities in the creation of symbols, myths and common beliefs, but also the necessity for order and beauty to produce comfort and safety.”

A new initiative for the Cantor Art Gallery, the Cantor Window Commission is an opportunity to invite artists annually to create a site-specific artwork. The Cantor is honored to present Justine Hill’s work as its inaugural installation; the artist is a 2008 graduate of the College of the 51С�Ƴ�. Hill is represented by Denny Dimin Gallery in New York City.

��